Christa Ludwig

The wide-ranging repertory in which Christa Ludwig appeared at the Vienna State Opera, spoiling her audiences and often surprising them over a period of many years, is central to the present set of three CDs issued to mark her eightieth birthday. It begins with her Cherubino from Le nozze di Figaro and her Composer from Strauss’s Ariadne auf Naxos, both of which she sang at the Salzburg Festival soon after her Vienna State Opera début in 1955. Another of her early roles in Vienna was Dorabella in Così fan tutte, while Angelina in Rossini’s La Cenerentola was a lyric mezzo-soprano part that she sang only infrequently but to which she brought a stupendous coloratura technique. Her increasingly dramatic roles are represented by excerpts from Beethoven’s Fidelio, Berg’s Wozzeck, Wagner’s Tannhäuser and Lohengrin and Verdi’s Macbeth, which also demonstrate the astute use of her resources in those roles that extend well into the soprano register. It was very much Christa Ludwig’s ability to cover the whole dynamic range from the most delicate pianissimo to the greatest fortissimo outburst that allowed her to encompass the most dramatic passages without forfeiting any of her intensity, causing audiences to break into spontaneous applause even in a through-composed work like Lohengrin. Under Leonard Bernstein’s conducting, the subdued melancholy of her Marschallin is even more overwhelming in the present live recording than it was in the studio. No less impressive is the way in which Christa Ludwig was able to forge a successful working relationship with each of the very different conductors with whom she appeared, be it Karl Böhm, Herbert von Karajan, Lorin Maazel, Claudio Abbado or the conductor of the most recent New Year’s Day Concert from Vienna, Georges Prêtre. That her distinct timbre never suffered from the pressures that were placed on her voice was repeatedly confirmed and, indeed, encouraged by her regular return to the mezzo-soprano repertory. New productions were not always planned around her, as they were with her Dido in Berlioz’s Les Troyens and her assumption of the title role in Gottfried von Einem’s Der Besuch der alten Dame, a work based on a libretto that Friedrich Dürrenmatt adapted from his own stage play of the same name, with its central role written specially with Ludwig in mind. Throughout her career, she retained a company spirit and never thought it beneath her to appear in smaller roles such as Clairon in Strauss’s Capriccio, Federica in Verdi’s Luisa Miller, Erda in Das Rheingold and, towards the end of her career, in character parts, including the Old Countess in Tchaikovsky’s The Queen of Spades, Geneviève in Pelléas et Mélisande and, above all, Klytämnestra in Elektra, the role in which she bade farewell to the stage in 1994. This final appearance – almost forty years after her Viennese début – also brings to an end our musical tribute to Christa Ludwig, recalling an altogether exceptional career by this honorary member of the Vienna State Opera.


Mozart, Wolfgang Amadeus

Le nozze di Figaro (The Marriage of Figaro), K. 492, Act I: Non so più cosa son
1.     Le nozze di Figaro (The Marriage of Figaro), K. 492, Act I: Non so più cosa son
03:20

Strauss, Richard

Ariadne auf Naxos, Op. 60, TrV 228a: The Prologue: Sein wir wieder gut
2.     Ariadne auf Naxos, Op. 60, TrV 228a: The Prologue: Sein wir wieder gut
03:09

Mozart, Wolfgang Amadeus

Così fan tutte, K. 588 (Sung in German) (excerpts)
3.     Act I: O sieh doch nur, Schwester
05:10
4.     Act I: Grausames Schicksal! Sagen will
01:40
5.     Act I: Schwankend na' ich
07:30
6.     Act II: Passegglamo anche nol - Il core vi dono
06:42

Rossini, Gioachino

La Cenerentola (Cinderella) (Sung in German), Act II: Liebste … Ramiro, verzeiht mir
7.     La Cenerentola (Cinderella) (Sung in German), Act II: Liebste … Ramiro, verzeiht mir
06:10

Beethoven, Ludwig van

Fidelio, Op. 72, Act I: Abscheulicher! Wo eilst du hin? - Komm, Hoffnung, lass den letzten Stern
8.     Fidelio, Op. 72, Act I: Abscheulicher! Wo eilst du hin? - Komm, Hoffnung, lass den letzten Stern
07:30

Wagner, Richard

Tannhäuser, Act I Scene 2: Geliebter, komm!
9.     Tannhäuser, Act I Scene 2: Geliebter, komm!
15:02

Berg, Alban

Wozzeck, Op. 7 (excerpts)
10.     Act III Scene 1: Und ist kein Betrug in seinem Munde erfunden worden
05:00
11.     Act III Scene 2: Dort links geht's in die Stadt
04:04

Strauss, Richard

Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Schweigt doch, ihr Stimmen!
12.     Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Schweigt doch, ihr Stimmen!
12:23

Disc 2

Capriccio, Op. 85, TrV 279, Scene 13: Frau Grafin, das Souper ist serviert
1.     Capriccio, Op. 85, TrV 279, Scene 13: Frau Grafin, das Souper ist serviert
04:41

Pfitzner, Hans

Palestrina, Act I Scene 1: Schonste, ungnad' ge Dame
2.     Palestrina, Act I Scene 1: Schonste, ungnad' ge Dame
06:59

Wagner, Richard

Lohengrin (excerpts)
3.     Act II Scene 1: Erhebe dich, Genossin meiner Schmach!
17:40
4.     Act II: Elsa! … Wer ruft?
05:25

Bizet, Georges

Carmen (excerpts)
5.     Act I: Mais nous ne voyons pas la Carmencita!
05:00
6.     Act I: Seguidilla: Pres des reparts de Seville
04:09

Strauss, Richard

Der Rosenkavalier, Op. 59, TrV 227 (excerpts)
7.     Act I: Da geht er hin
23:40
8.     Act II: Mir ist die Ehre widerfahren
07:04

Disc 3

Verdi, Giuseppe

Macbeth (excerpts)
1.     Act I Scene 5: Recitativo e aria: Nel di della vittoria io le incontrai
05:30
2.     Act II: Perche mi sfuggi, e fiso - La luce langue
07:03
3.     Act IV Scene 4: Una macchia e qui tutt'ora
06:49

Einem, Gottfried von

Der Besuch der alten Dame, Act I: Das herz mit deinem und meinem Namen
4.     Der Besuch der alten Dame, Act I: Das herz mit deinem und meinem Namen
08:16

Verdi, Giuseppe

Luisa Miller, Act I Scene 2: Duchessa
5.     Luisa Miller, Act I Scene 2: Duchessa
06:29

Berlioz, Hector

Les Troyens, Act IV: Recitative and Quintet: Pardonne, iopas
6.     Les Troyens, Act IV: Recitative and Quintet: Pardonne, iopas
05:37

Wagner, Richard

Das Rheingold, Scene 4: Weiche, Wotan, weiche! Flieh' des Ringes Fluch!
7.     Das Rheingold, Scene 4: Weiche, Wotan, weiche! Flieh' des Ringes Fluch!
05:44

Tchaikovsky, Pyotr Il'yich

The Queen of Spades (Pique Dame), Op. 68, Act II: Scheigt doch endlich
8.     The Queen of Spades (Pique Dame), Op. 68, Act II: Scheigt doch endlich
08:35

Verdi, Giuseppe

Falstaff, Act III: Reverenza. La bella Alice
9.     Falstaff, Act III: Reverenza. La bella Alice
05:06

Debussy, Claude

Pelléas et Mélisande (Pelleas and Melisande), Act I Scene 2: Voici ce qu'il ecrit a son frere Pelleas
10.     Pelléas et Mélisande (Pelleas and Melisande), Act I Scene 2: Voici ce qu'il ecrit a son frere Pelleas
08:48

Strauss, Richard

Elektra, Op. 58, TrV 223, Was willst du? Seht doch, dort!
11.     Elektra, Op. 58, TrV 223, Was willst du? Seht doch, dort!
10:06

Total Playing Time: 03:50:21